From WETA, the creators of Avatar comes the ultimate sci-fi re-boot--Rise of the Planet of the Apes. An origin story set in present day San Francisco, where mans own experiments with genetic engineering lead to the development of intelligence in apes and the onset of a war for supremacy.
"Hands down the best blockbuster of the year [2011]" ****--Daily Star Sunday
"A must see movie… ape-solutely brilliant" ****--The Sun
"9/10, a must-see sci-fi action blockbuster"--Daily Star
**** Mail On Sunday
**** Sunday Express
**** Metro
**** Daily Mail
**** Daily Express
**** Daily Mirror
**** The Guardian
A galaxys worth of nihilism buried under a 70s Velveeta topping, The Planet of the Apes series stands today as a dark marvel of pop cinema, a group of wildly variable films that combine to form a giant inescapable kiss-off to the human race. (That said message was able to withstand such distractions as ever-cheapening makeup and Charlton Heston loudly pounding sand makes its achievements even more impressive, really.) Boasting a keen awareness of its predecessors particular charms and a gem of a central CGI performance by Andy Serkis, Rise of the Planet of the Apes makes for a rather miraculous summer movie: a big-budget special effects extravaganza that also delivers a killer backhand. Sort of redoing 1972s Conquest of the Planet of the Apes, the film follows the events set in motion when a bereaved scientist (James Franco) attempts to create a cure for Alzheimers, resulting in a supernaturally intelligent chimp named Caesar. The old bit about science tampering in Gods domain quickly applies. Director Rupert Wyatt (The Escapist) displays an admirable sense of pacing, deftly levying the escalating action scenes with small character moments from the likes of John Lithgow and Brian Cox. That said, the film belongs to Caesar, whose path from wide-eyed innocent to reluctant revolutionary generates the ironic pulp empathy that gave the original series such a kick. Watching the climactic confrontation on the Golden Gate Bridge, its distressingly easy to figure out which side to root for. Chuck Heston would no doubt grit his teeth in approval. Note: Those skeptical that this revamp could wholly retain the originals doomy backbeat would do well to stick around during the end credits. --Andrew Wright