[10 Channel]
The acclaimed MG Series of compact mixing consoles focus on delivering high quality sound, at an affordable price. Designed by the same team, and using many of the same technologies used in Yamahas high-end professional consoles, MG mixers provide serious sound with the reliability and performance Yamaha is renowned for.
With an intuitive, easy to-use interface, the MG10 is suitable for a diverse range of users and applications. Installation, recording, or live music settings, the solid construction and flexible design of this consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.
Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamahas studio-grade discrete class-A D-PRE preamps, which utilise an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion.
MG Series mixers feature new, high-quality, custom made MG01 op-amps that Yamaha developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, Yamaha worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.
With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level inputs, PAD Switch attenuates high input signals that often accompany micd instruments during performance, avoiding the clipping that can seriously affect your mix.
When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamahas high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.
D-Pre Preamps
High Quality Op-Amp
Phantom Power & Pad
The right tools
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EQ and High-pass FiltersTheres nothing more useful than reliable equalization when you need nuanced management of your tone. The MG10 benefits from Yamahas unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix. |
Input & Output connectorsAll models feature high-quality Neutrik balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. |
Built to lastThe MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come. |
XLR OutputsThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments. |
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MG06 | MG10 | MG12 | |
Customer Reviews |
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Price | — | £153.96£153.96 | — |
Overview | 6-Channel Mixing Console: Max. 2 Mic / 6 Line Inputs (2 mono + 2 stereo) / 1 Stereo Bus | 10-Channel Mixing Console. Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)/ 1 Stereo Bus / 1 AUX | 12-Channel Mixing Console. Max. 6 Mic / 12 Line Inputs (4 mono + 4 stereo)/ 2 GROUP Buses + 1 Stereo Bus / 2 AUX |
Phantom Power | ✓ | ✓ | ✓ |
Input Channels | 2 x Mono [MIC/LINE] / 2 x Stereo [LINE] | 4 x Mono [MIC/LINE] / 3 x Stereo [LINE] | 4 x Mono [MIC/LINE] / 2 x Stereo [LINE] / 2 x Mono/Stereo [MIC/LINE] |
Output Channels | Stereo Out x 2 / Phones x 1 / Stereo Bus x 1 | Stereo Out x 2 / Monitor Out x 1 / Phones x 1 / Aux Send x 1 / Stereo bus x 1, AUX bus x 1 | Stereo Out x 2 / Monitor Out x 1 / Phones x 1 / Aux Send x 2 / Group Out x 2 / Stereo bus x 2, Group bus x 2 AUX bus x 2 |
Level Meter | 2 x 7 -segment LED meter [PEAK, +6, +3, 0, -3, -10, -20 dB] | 2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB] | 2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB] |
Total harmonic distortion | 0.01 % @ +8dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +18dBu (1kHz), GAIN knob: Min | 0.02 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +24dBu (1kHz), GAIN knob: Min | 0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min |
Frequency response | +0.5 dB/-0.5 dB (20 Hz to 20 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min | +0.5 dB/-1.0 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min | +0.5 dB/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min |
Power requirements | PA-130 (DC12 V/1.0 A, Cable length = 1.8 m), 120 V, 60 Hz, MU18 (DC12 V/1.5 A, Cable length = 1.5 m), 100 V-240 V, 50 Hz/60 Hz or equivalent recommended by Yamaha | PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha | AC 100 – 240 V, 50 / 60 Hz |
Net Weight | 0.9 kg (1.98 lbs.) | 1.9 kg (4.19 lbs.) | 4.0 kg (8.8 lbs.) |
Dimensions (W x H x D) | 149mm x 62mm x 202mm | 244mm x 71mm x 294mm | 308mm x 118mm x 422mm |