A witty, romantic, and very dangerous love story about chance meetings, instant attractions, and casual betrayals. CLOSER is director Mike Nichols critically acclaimed look at four strangers - Julia Roberts, Jude Law, Natalie Portman and Clive Owen - with one thing in common: each other. Adaptedby Patrick Marber from his award-winning stage play, CLOSER "VIBRATES WITH EROTICISM, BRUISING LAUGHS, AND DYNAMIC PERFORMANCES. CLOSER IS A TRIUMPH!" - Peter Travers, ROLLING STONE
Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols pungent adaptation of Patrick Marbers play that easily marks the Oscar-winning directors best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross its a dizzying supernova of emotions, as Nichols and Marber adroitly construct various scenes out of their lives that pair them again and again in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. Its only until youre more than halfway through the movie that youll have to ask yourself exactly why you are watching such a beautifully tragic tale, as Closer is basically the ickiest, grossest, most dysfunctional parts of all your past relationships strung together into one movie. Ultimately, it falls to the four actors to draw you deeper into the story; all succeed relatively, but its Law and Owen whose characters will cut you to the quick. Law proves that yet again hes most adept at playing charming, amoral bastards with manipulative streaks, and Owen is nothing short of brilliant as the character most turned on by the energy inherent in destructive relationships--whether hes on the giving or receiving end. --Mark Englehart